Blog

Notes on the craft.

Working thoughts on copywriting, branding, 3D and the business of being senior. The personal writing lives in Explorations.

Where the money went: rows of newspaper column copy on the left break apart into rows of small screen tiles on the right, almost half of them in terracotta, standing for Indian ad spend moving from print to digital between 2016 and 2025.

Indian Advertising Spend, 2016 to 2025: Where the Money Went

Indian ad spend grew 2.3 times between 2016 and 2025, and digital took 70% of that growth. The decade by medium, from two industry reports, side by side.

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A comparison between consistent 3D product renders and AI-generated versions of the same product, showing how AI subtly changes proportions, labels and details from one image to the next.

3D Product Rendering vs AI: Why Brands Using AI Risk Losing Customer Trust

3D product rendering vs AI: reputable brands risk their customers' trust for a small saving on the advertising budget. What generative AI cannot keep the same.

Scattered jigsaw puzzle pieces symbolising creative work split across multiple freelancers, illustrating the challenge of bringing separate disciplines together into one coherent brand.

Why Splitting Your Creative Work Across Multiple Freelancers Costs More Than You Think

The hidden cost of splitting creative work across multiple freelancers, and why one multi-disciplinary creative partner gets you coherent work in fewer rounds.

An abstract grid of tiny thumbnails representing a digital marketplace, with only a few highlighted, symbolising how product packaging must stand out instantly on a phone screen.

Quick Commerce Packaging Design: Your Pack Has Half a Second on Blinkit

Packaging design for quick commerce is a different brief. On Blinkit your pack is a 200-pixel thumbnail, seen for half a second by someone scrolling one-handed.

A standalone logo alongside a curated brand identity board of typography, colour and design elements, symbolising that a logo is only one component of a complete brand.

Logo vs Brand Identity: Your Logo Alone Is Not Your Brand

Logo vs brand identity: founders spend three months on the logo, then wonder why the brand feels thin. The most visible decision, and the most overrated.

An open multi-page presentation deck against a blue background, representing the sales document that helps a D2C brand persuade retail buyers and get onto shelves.

The Deck That Gets a D2C Brand Onto Shelves

The deck that gets a D2C brand onto shelves: to list on quick commerce or in modern trade, a brand needs a document built to sell, not to admire.

Three replaceable faces placed into a costume template, illustrating how templates can suit many D2C design tasks while custom design is better for foundational brand work.

When a D2C Brand Actually Needs a Designer, and When Canva Is Fine

When a D2C brand needs a designer, and when Canva is fine. Spending on design you do not need yet is as wasteful as skimping where it matters.

Abstract composition of overlapping green, yellow and orange paper shapes representing inconsistent brand identity.

Your Brand Looks Like Five Different Brands, and Your Customer Notices

Your brand looks like five different brands: website, listing, Instagram, pack and last ad side by side. For most D2C brands, the fix is not more design.

A desktop monitor running 3D software, showing wireframe mesh views of a sofa from several angles, with a laptop rendering a lamp beside it, under the words 'What is 3D product rendering'

What 3D Product Rendering Actually Is (and When to Use It)

What 3D product rendering is: your product built in software and photographed there, why it now looks like a photograph, and when a brand should use it.

A red box marked with a large question mark sitting on stacks of dollar and euro banknotes, beside the words 'What you're paying for when you buy copywriting'

What You're Actually Paying For When You Buy Copywriting

What you pay for when you buy copywriting: why 200 words of pack copy can cost more than a 2,000-word article. The word count was never the product.

Vertical resin slab with stained-glass style tree — multi-coloured canopy panels with black wire outlines
Explorations

The maker behind the work

Carpentry, resin, paper-cutting, vocals and writing — Musings of a Material Girl. Where the eye and the patience come from, kept separate from the commercial work on purpose.

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